Magnet/Magnet
Structure
A combination of magnetic material and connected field concentrators
that creates the magnetic field within which the voice coil interacts
to produce sound. Magnetic materials have changed greatly over the years
to produce much higher concentrations of magnetic fields (rated in gauss)
with lighter and smaller volumes of material.
In
marketing speakers, a great deal of hype is often applied to the question
of magnet weight. But many of these claims should be treated with skepticism.
With greater and greater concentrations of gauss fields being developed
from ever lighter and smaller mass metallurgical materials, the only
good measure of adequate power handling is the manufacturer's RMS
Wattage rating. Hefty magnets may look impressive, but while capable,they
are no longer an essential index to a speaker's power capacity.
Magnet
Boot
A rubber or
plastic cover for the magnet housing for protection or appearance, mostly the
latter.
Magnetic
Flux Density
The
measurement of magnetic flux, in units of Gauss, inside the air gap in which a
voice coil of a speaker operates.
MASH
An
acronym for Multi-stage noise shaping. This is the name given to the digital advances
that were introduced after the CD specification had been established.
MAX
(see Peak Power Handling
and separate article on Power
rating)
Memory
The word most
commonly used to refer to a system's ability to retain specific information, particularly;
time, stations,.and other preference settings that are electronically stored and
governed.
Memo List
A Custom File feature
that allows the user to toggle through the discs, selection titles, or station
call letters currently loaded without interrupting playback of the existing disc
or station.
Metal Tape EQ
An equalization circuit that compensates for the unique frequency response
characteristics of metal tape.
Microbar
1. A unit of atmospheric
pressure equal to one millionth of a bar. 2. A place to consume the product of
microbreweries.
Microprocessor
A multiple semiconductor IC device that can be dedicated or programmed to perform
a variety of tasks in many different systems. These
exist in virtually all consumer and commercial electronic devices of more than
rudimentary functionality.
Midbass
Those frequencies roughly between 100 and 300 Hertz.
(CPS)
MIDI
Acronym for Musical Instrument Digital Interface, a standard adopted by the electronic
music industry for controlling devices, such as synthesizers and sound cards,
that produce music. At minimum, a MIDI representation of a sound includes values
for the note's pitch, length, and volume, but can also include additional characteristics,
such as attack and decay time.
MIDI
files
A computer file format containing musical information and performance
data capable of being used in MIDI capable devices.
Midrange
A Driver that is usually much smaller than a woofer,
but with a surface area greater than the typical tweeter. It reproduces the mid
frequency range from approximately 300 to 5000 Hertz.
This optimum range can vary considerably from one driver to the next, thus giving
the system designer more flexibility in choosing Crossover
points for the other drivers.
Milliamps
A unit of measurement of electric current equal to 1/1000th of an ampere. The
milliampere is the most common unit used when measuring quiescent current drain
in consumer audio electronics.
Mixer
At its simplest level, an audio processing device used to add (combine or
sum) multiple inputs into one or two outputs, complete with level controls on
all inputs. From here signal processing is added to each of the inputs and outputs
until behemoth monsters with as many as 64 inputs are created -- at a cost of
around 10-20 thousand dollars per input for fully digitized and automated boards.
Mono
(monaural)
The
operation of an amplifier in one channel for both input and output. Can refer
to an amplifier with only one channel of amplification or operating in bridged
mode. For low frequency amplification applications, it provides better phase coherence
and less distortion than stereo operation.
MOSFET
(Metal Oxide
Semiconductor Field Effect Transistor)
A type of large output transistor used in the final stages of many power
amplifiers, and commonly found in most car and home amplifiers today.
These field-effect transistors are controlled by voltage rather than
current, like a bipolar transistor. MOSFETs have a significantly higher
switching speed than bipolar transistors. They generate almost no loss
(little heat generation), which lends the power supply fast response,
excellent linearity, and high efficiency.
Mosfet
transistors are most often discrete devices, used with smaller driver
transistors and other devices, to convert a small signal to a large
one. They are highly stable and efficient, compared to the bipolar types
that preceded them.
MOSFET
Power Supply
A
power supply that employs MOSFET transistors to convert DC to AC. Offers superior
thermal stability and more accurate switching.
Motor
Structure
In speakers,
the complete sound generator or transducer that converts incoming electrical signals
to mechanical/acoustic energy or sound. In a dynamic Driver,
this includes the magnet, its directive field concentrators or Pole
Pieces, and the voice coil that interacts with them.
Mounting
Depth
The amount
of physical space required to mount a Driver without
having any of its parts touch objects below. This is particularly relevant to
car speakers where such mounting spaces may be sharply limited as to their ability
to accommodate deep speakers with large magnets. Door panels with movable windows
are a typical example of where care must be taken in selecting speakers to be
mounted. (see Mounting Ring, below)
Mounting
Ring
Often used
to describe the circular gasket seal incorporated into the edge of a speaker,
traditionally the term "mounting ring" refers to a separate device placed
between a Driver and the surface on which it is mounted,
for the effect of raising the speaker so that larger and deeper speakers can be
accommodated in limited spaces. (see Mounting Depth,
above).
MP3,
mp3
Is the file
extension for MPEG, audio layer 3. Layer 3 is one of three coding schemes (layer
1, layer 2 and layer 3) for the compression of audio signals. Layer 3 uses perceptual
audio coding and psychoacoustic compression to remove all superfluous information
(that, in the opinion of the developers, the human ear doesn't hear anyway). It
also adds an algorithm that increases the frequency resolution 18 times higher
than that of layer 2. The result is mp3 encoding shrinks the original sound data
from a CD by a factor of 12 without sacrificing sound quality.
Mute
A control found
on receivers, some mixers, and certain signal processing units that silences (mutes)
a signal path, or output. 2. Someone with much to say but lacking the hardware
or software to do so.
Multimeter
A common term
used to describe a VOM. A multimeter usually has the ability to measure volts,
ohms, and amperes or milliamperes.
Multi-tracking
The process of recording a multi-part performance on separate tracks at different
times which allows the engineer to subsequently combine, balance and process those
tracks during mixdown.